Just need to work into the bottom left of this print. I want the main hall to have the sun shining across the top part and the shadow to have more details and be less dark.
I've darkened areas of the print and then printed light onto the top. It is the opposite of how I usually work: starting off light and becoming progressively darker. I've been surprised by how the thin layers of light ink have remained opaque.
Printmaker on a mission. 100 + prints of Brum inspired by Hiroshige.